1909
Tadeusz Kalinowski was born on June 23 in Warsaw; his father, Konstanty, was a printer by profession
1925
started education in the School of Crafts and Applied Arts in Warsaw; by the time he started studying at the Warsaw Academy he worked in the Wielki Theatre, where he was an apprentice of the renowned set designer of this stage, Wincenty Drabik
1
1929
enrolled in the Academy of Fine Arts in Warsaw; studied painting, set design and interior architecture under Mieczysław Kotarbiński and Władysław Daszewski, under whom he received a diploma in set design in 1937
1937
upon graduation he designed sets in the Łódź Theatre under Kazimierz Wroczyński and practised applied arts; e.g. was the chief designer of the National Fair in Rivne on Styr
1939

married Zofia Męczyńska, birth of son Bogdan

when World War II broke out he was in Lviv, where he came as a set designer with Leon Schiller’s theatre and where spent over a year, until the fall of 1940. He became a member of the Ukrainian Union of Artists and Designer and made a living by making propagandist placards and portraits of the leaders of the revolution

2
1942
lived in Miechów, where he worked in a stud farm
1943-1944
lived in Volhynia, which he left at the end of 1943 and in early 1944 returned to Warsaw, illegally crossing the border between Volhynia and the General Gouvernement. After the outbreak of the Warsaw Rising he fought in the ranks of the Home Army in the city’s Old Town. Taken prisoner, he escaped from a transport to Auschwitz from the loading platform of Warszawa Gdańska railway station. He then collected his son Bogdan from a temporary camp in Pruszków, where the latter lived after the death of his mother, murdered by the Nazis in a hospital in Warsaw’s district of Wola. With his son he went on foot to Krakow, where he stayed a short time and left for Łódź, where he worked as a set designer during the first post-war performances by Leon Schiller (Bogusławski’s Krakowiacy i górale, Shakespeare’s The Tempest)
3
1945-1948
lived in Łódź and Bydgoszcz, where he cooperated with Wilam Horzyca as a set designer; a series of Post-Formist paintings (A Girl Reading, Bride, Actors and Props, Ruins)
4
1948
moved to Poznań, where Horzyca became director of Teatr Polski. In the period 1948-1952 active in designing sets for many plays, e.g. Mrs Warren’s Profession, The Bourgeois Nobleman, Macbeth
1949
became a member of the 4F + R group founded by Feliks Maria Nowowiejski, Ildefons Houwalt and Alfred Lenica; took part in the group’s first exhibition
5
1950
became the President of the Board of the Poznań Division of the Union of Polish Artists and Designers, in office for two terms, until 1954. Thanks to his efforts, in this period (1951-1955) as many as 41 art studios were constructed and donated to artists in the Old Town in Poznań
6
1938-1956
realist paintings and prints
7
1953
married Helena Welnitz, whom he met in Łódź in 1946
1954-1955
designed and made the paintings of the Poznań City Hall (with Jan Piasecki)
1955
met Anna Cyronek, also a painter, who received a diploma in the State Higher School of Fine Arts in Poznań, his partner till the end of his life (they got married in 1979)
8
1956-1960
a councillor of the city of Poznań
1957
first attempts at Art Informel painting
9
1958-1962
a period of so-called trash-can art
1959
the first solo exhibition of prints in the SARP Club in Poznań; a show in the Działyński Palace (with Anna Cyronek); birth of son Adam to Anna Cyronek
10
1961-1966
a period of a keen interest in prints, three series of linocuts and lithographs
1961
a period of collage texture painting with pasted rags and newspaper illustrations
11
1962-1968
a period of so-called zone painting
1965-1975
a period of so-called hard geometrical abstraction, which he practised in many series of works, e.g. Flags, Circles, Arrows
1967-1968
a series of objects/paintings, where shining and flickering lamps, bottle caps, etc. were built into an abstract composition
12
1967-1976
solo exhibitions in the Salon of the Union of Polish Artists and Designers (ZPAP) Arsenał (with Anna Cyronek, 1967 and 1968), Merkury Tradesman’s Club (1969), Galeria A in Gniezno (1969), Art Exhibition Office (BWA) Arsenał (1971), International Press and Books Club (MPiK) (1975), BWA in Zielona Góra (with Anna Cyronek, 1975), BWA Arsenał in Poznań (1976)
13
1970
participated in the V March Salon in Zakopane
1972
an abstract composition, size 546 m2, on a wall of a house at the intersection of Estkowskiego and Garbary Streets in Poznań; damaged in the mid-1980s
14
1972-1981
wall advertisements for PKO bank, with the use of fragments of the artist’s own paintings
1976
a short period of interest in ornamental painting, since 1956 the only attempt at object painting
15
1976-1977
first paintings with letters
1976-1980
a period of a kaleidoscopic series
16
1981
a suite Elements with a series Painting – Object
1982-1988
a suite Open Circuits
1984
an exhibition of works from the Open Circuits suite in Galeria Akumulatory 2 in Poznań and in Galeria RR in Warsaw
17
1984-1994
anniversary exhibitions in Arsenał, commemorating successive birthdays (1984 – 75th anniversary, 1989 – 80th anniversary, 1994 – the last show, 85th anniversary)na 85-lecie)
1986
participated in the show Poznań Artists 1945-1985 at the invitation of curator Wojciech Makowiecki in the National Museum and Galeria BWA, where his works were displayed in three sections: 4F+R Group, Abstraction and the Art of the Idea
18
1987
a recording of an interview of Wojciech Makowiecki with the artist for the Raczyński Library (VHS tape, 1’40”)
19
1988-1997
last works from the Open Circuits suite, series Multilateral Circuits and Closed Circuits
1993
an exhibition Vector of Art in Arsenał with the participation of leading modern artists: Jerzy Bereś, Andrzej Bereziański, Anna Cyronek, Stanisław Fijałkowski, Stefan Gierowski, Jerzy Jękot, Zdzisław Jurkiewicz, Jerzy Kałucki, Jarosław Kozłowski, Erna Rosenstein
20
1997
Tadeusz Kalinowski was active as an artist until his last days; he died on May 7 in Poznań, where he was buried in the Alley of Fame of Junikowski Cemetery

photos:

1
C. 1949, the time of 4F+R

2
On the scaffolding at the City Hall, while painting images of monarchs, 1954

3
Set design for the play
The Promotion of W. Żółkiewski, Teatr
Polski in Poznań, 1952

4
Set design for the play
Xanthippe’s Defence, Teatr Polski
in Bydgoszcz, 1947

5
Projekt scenografii do spektaklu
Profesja pani Warren, Teatr
Polski w Poznaniu, 1950

6
Set design for the play
Mrs Warren’s Profession, Teatr
Polski in Poznań, 1950

7
Landscape of Bolkowo, 1956,
woodcut, 22.5 × 29.5 cm

8
C. 1955

9
With Anna Cyronek in the studio, 1958

10
With son Adaś, 1960

11
In Galeria A in Gniezno, 1969

12
At an opening of a solo show
in the ZPAP Club with Andrzej
Turowski, Irena Modarska,
Jerzy Nowakowski, 1971

13
At an opening of a solo show
in BWA Arsenał with Józef Krzyżański,
Maria and Jan Berdyszak and
Jerzy Nowakowski, 1971

14
Fragment of a solo exhibition in Arsenał, 1971

15
With sons Bogdan and Adam
in Zygmunt Konarski’s studio, 1979

16
At an opening of a solo show
of Andrzej Bereziański
in Galeria Akumulatory II
(with Jarosław Kozłowski), 1977

17
In the studio, 1985

18
Exhibition in Arsenał, 1989

19
In the studio
at 7/8 Wielkopolski Square, 1994

20
One of the last photos, in front of the basilica in Gostyń, 1996

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